Finished
“PISPA 2023” – Paris Street Photo Awards
Categories:
Street Portrait
Urban Culture
Street fashion
Road trip
Street Art
Black & White
Urbex & Minimalism
Abstract
Mobile Phone
Street Night
Street & Childrens
Street & Architecture
Reflects (Water & Windows)
Contrasted (Deep dark shadows)
Public Transport
Street & Animals
Beach & Pool
Classic Street
Sport, Dance & Events
Rain & Snow
Unusual
Urban Love (Kisses, hugs…)
Street poetry
Prizes:
- The Street Photographer Of The Year – 1000 dollars of Cash Prize (delivered by Paypal transfer)
- The best Street Photo Project – 1000 dollars of Cash Prize (delivered by Paypal transfer)
- The Street Photo of the Year – 500 dollars of Cash Prize (delivered by Paypal transfer)
Winners’ names will be available online at streetphotoawards.art no later than 20st December 2023.
Image requirements: JPG with 1500 pixels along the longest length and 72dpi. Please do not include watermarks, borders or signatures on your entry. A series consists of at least 5 and no more than 7 or 15 images (depending on if you choose to submit an extended serie or not), sharing a common theme and a single title. Series will be judged as an entire piece.
Online submission of digital images via the website.
Judging criteria: creativity, artistic merit, subject and style.
PHOTOGRAPHY TIPS FOR YOU:
In street photography, you usually want a narrow aperture for increased depth of field. A deep depth of field will let you capture a variety of situations on the fly, plus it will prevent you from missing focus on fast-moving candid subjects. And it can provide beneficial context and storytelling, too. While I won’t recommend one single aperture, consider stopping down to around f/8 or f/11. Assuming your subject is a few feet away and you’re shooting with a wide-to-standard focal length, this will give you plenty of depth of field to keep your subject sharp, even if you don’t have time to focus properly
In street photography, you usually want a narrow aperture for increased depth of field. A deep depth of field will let you capture a variety of situations on the fly, plus it will prevent you from missing focus on fast-moving candid subjects. And it can provide beneficial context and storytelling, too. While I won’t recommend one single aperture, consider stopping down to around f/8 or f/11. Assuming your subject is a few feet away and you’re shooting with a wide-to-standard focal length, this will give you plenty of depth of field to keep your subject sharp, even if you don’t have time to focus properly